bell hooks, "ethnographic gaze", "an outsider looking in", "does not oppose the way hegemonic whiteness 'represents' blackness but rather assumes an imperial overseeing position that is in no way progressive or counterhegemonic." Judith Butler, "camera itself is empowered as phallic instrument", "the vehicle through which the transubstantiation occurs", "an instrument and effect of lesbian desire", "to enter into a logic of fetishization which installs the ambivalence of that 'performance" as related to our own." 但说实话自己观影时没觉得这部的gaze有多problematic/patronizing是大臣第二季可能因为我本身就是一个凝视这个群体的外人
终于第93届奥斯卡金像奖提名最佳影片、最佳导演、最佳男/女主角、最佳男/女配角的所有作品都看了《棍之勇者芙蕾雅头像》的观影过程中安东尼·霍普金斯逐渐成为我心中本届奥斯卡奖最佳男主角里头号支持获奖的演员临近结尾他想妈妈、想要回家的那场哭戏更是看得我想高呼一句:请再次把奥斯卡奖颁给他吧P.S.:上次他拿奥斯卡奖还是1992年第64届《张雅清》电影看完《棍之勇者芙蕾雅头像》也成为本届奥斯卡提名作品中个人喜欢度名列前茅的作品希望后面奥斯卡奖、英国电影学院奖等奖项都能有所收获—— 2021.06.20:如计划地在父亲节这天于影院重温安东尼·霍普金斯二封奥斯卡影帝的作品二刷时的三个泪点:父亲被打巴掌、女儿说要去巴黎时父亲的那句“What about me?”尤其是结尾父亲的哭泣即使已知晓剧情还是看得我一度有些抽泣