In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.
评分「流感韩国电影」 观剧时间:201120-201125 Miss Mo能言善辩的律政精英正直善良却自视甚高怀有一颗少女心余乐天吊儿郎当的助理师爷油腔滑调却不失正义感职场的上下属针锋相对水火不容两人一路贱萌欢喜冤家终成善良的“奸夫淫妇” 每个角色性格各异都有闪光点也都有一些小缺点真实可爱剧情台词幽默有趣不乏温馨情义经典港剧